Summer pressing · marble soda works

Crack the marble, drink the colour.

A soda counter rendered like a flat poster — saturated teal air, hard candy planes, and one glass bead of light that follows every pour.

The pour, in three planes

Reading first, decoration last.

Every screen is built from flat hard-stop colour planes. One bead of refracted light marks what's live — never a rainbow, never a wash.

01

Saturated ground

The teal air carries the work. No milky default — the colour is the page, not an afterthought on white.

02

Aplat planes

Gouache-flat surfaces with hard stops. Candy paper sits on teal; depth comes from tone, never heavy shadow.

03

Glass-bead light

The marble's meniscus, abstracted. One glossy bead marks live state — never stamped on every label.

Signature mechanic

The bead follows the fizz.

A single refractive bead is the whole grammar. Where it lands, the interface is alive; everywhere else stays calm milky paper on the teal ground.

How a pour reads

Reiko Blush — lychee

Tap the beadThe active flavour lifts; one rose marble marks the primary moment.
Soda-blue rules informPale hairlines and info chips never shout over the order.
Mint confirms freshSuccess and seasonal cues use the crispest, smallest accent.
This week's shelf

Four bottles, poured cold.

Reiko Blush

Lychee · signature

Aozora

Plain soda · classic

Hakka Snap

Mint · seasonal

Yuzu Tone

Citrus · house

The marble is the meniscus — light bends once, and the whole shelf reads fresh.
— Reiko Adachi, head bottler
Standing order

Book a monthly crate.

Pick a house flavour, set the cold chain, and let the bottling log do the rest. First delivery within the week.