A paste-up wall for interfaces

Tear it out.
Paste it loud.

Decoupage builds screens like a zine wall — torn ink cutouts pinned and overlapping on a dark wall, bright where they cross.

No grids. No keylines.

The contact sheet

Cutouts, not cards.

Every surface is a piece of paper that was torn out and pasted down: a deckle edge, an offset ink halo, and an overlap that multiplies to violet. Depth comes from pasting one scrap over the next.

Deckle edge

Torn silhouettes, never a perfect rounded box. The ragged cut is the chrome.

torn

Ink halo

The shadow is a second spot plate shifted a few pixels — a coloured misprint, never grey.

offset

Overprint

Where two scraps cross, the seam multiplies to violet. Overlap is how hierarchy reads.

violet

Misprint, on purpose

Three inks. One violet seam.

Magenta, cyan, yellow — flat highlighter spot inks on a near-black wall. They only ever make a fourth colour by overlapping: violet, where two layers multiply. That seam carries every link, every depth cue, every "this sits on top of that."

Paste-up

How a screen gets made.

Pin the scraps, let them overlap, leave dark wall between clusters so the ink always lands against open ground.

01

Tear the slab

Cut the hero out of paper — a torn ink headline, one word highlighted on a magenta scrap.

02

Pin the cutouts

Lay the support scraps across the wall at varied sizes, overlapping at the corners.

03

Let it overprint

Where scraps cross, the violet seam appears — that is the depth, no drop shadow needed.

Make it collectible.

Loud, legible, and clearly torn by hand. Start your wall.