PLAKAT
Pressed like a limited-run poster — thick comic ink, ben-day halftone and three loud inks held inside a strict grid.
Four plates,
one poster
Yellow, cyan, magenta, then the black keyline — four flat inks pulled one at a time and locked into register. The picture is built from solid ink, layer over layer.
It dresses
anything
The same screenprint presses a boombox, a skyline, a teapot or a face with equal ease. One method, any subject, always collectible.
Hot pink
leads
Three inks work like highlighters over black and white. Hot pink takes the moment, cyan answers, yellow marks the beat.
Pressed
and peeled
Every surface is a cutout poster — a black keyline, a hard offset shadow, one clipped corner. Press it and the shadow collapses under your thumb.
Plakat
A maximalist pop system in the Katagami commons — loud, collectible and legible from across the room.
Technique — pop-art comic screenprint · after Lichtenstein, Warhol & Memphis-Milano