Writing styles

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I have an almost feminine partiality for old china. When I go to see any great house, I inquire for the china-closet, and next for the picture gallery. I cannot defend the order of preference, but by saying, that we have all some taste or other, of too ancient a date to admit of our remembering distinctly that it was an acquired one. I can call to mind the first play, and the first exhibition, that I was taken to; but I am not conscious of a time when china jars and saucers were introduced into my imagination.

Intimate, ornate and self-deprecating, with affectionate digressions and frequent changes of thought.

A farther instance I once saw of notable sagacity in a willow-wren, which had built in a bank in my fields. This bird a friend and myself had observed as she sat in her nest; but were particularly careful not to disturb her, though we saw she eyed us with some degree of jealousy. Some days after as we passed that way we were desirous of remarking how this brood went on; but no nest could be found, till I happened to take up a large bundle of long green moss, as it were, carelessly thrown over the nest, in order to dodge the eye of any impertinent intruder.

Patient and observant, with precise details, measured judgments and a quiet, conversational curiosity.

Like an enormous snake with undulatory movement, Past the old church with scarlet ivy hooding its stiff grey walls, Past the drowsy churchyard, Where wet leaves cling to the stones, Up the hill and past the village, Through the curving lines of hedgerows, Beyond the brow of the hill, lost in brown stubble, The brown backs of an army Go writhing into the distance.

Spare and exact, expressing feeling through concrete images without explaining what to feel.

The first error and the worst lay at her door. It was foolish, it was wrong, to take so active a part in bringing any two people together. It was adventuring too far, assuming too much, making light of what ought to be serious, a trick of what ought to be simple. She was quite concerned and ashamed, and resolved to do such things no more.

Polished and perceptive, with balanced sentences, dry irony and a sharp eye for people's motives.

We were all feeling seedy, and we were getting quite nervous about it. Harris said he felt such extraordinary fits of giddiness come over him at times, that he hardly knew what he was doing; and then George said that _he_ had fits of giddiness too, and hardly knew what _he_ was doing. With me, it was my liver that was out of order. I knew it was my liver that was out of order, because I had just been reading a patent liver-pill circular, in which were detailed the various symptoms by which a man could tell when his liver was out of order.

Chatty and self-mocking, turning small complaints into elaborate comic digressions.

When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you.

Intimate and solemn, addressing the reader directly through concrete metaphors and rhythmic parallel statements.

However, the Englishman (let us call him Dennistoun) was soon too deep in his note-book and too busy with his camera to give more than an occasional glance to the sacristan. Whenever he did look at him, he found him at no great distance, either huddling himself back against the wall or crouching in one of the gorgeous stalls. Dennistoun became rather fidgety after a time.

A reserved, scholarly voice whose precise details and casual asides make unease arrive gradually.

To return now to the action of heat on water. See what a stream of vapour is issuing from this tin vessel! You observe, we must have made it quite full of steam to have it sent out in that great quantity. And now, as we can convert the water into steam by heat, we convert it back into liquid water by the application of cold.

A patient, curious teacher who uses plain words, direct questions and concrete examples.

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